Theatreplan is pleased to announce that lighting specialist Michael Atkinson, previously an Associate with the practice, has joined the team as a Partner. He comes to us after a 25-year career at the National Theatre, where he rose through the management team to become Head of Lighting Resources.
Michael has unique skills,
being an experienced consultant and
technician in a very specialist discipline in which most expertise
resides in the manufacturers. His experience as a project
manager and a client with the
depth of knowledge of products
in the luminaire, dimmer and control system fields that can challenge
manufacturers’ and suppliers’ claims and can ensure
that the specified products perform
as required.
After training
in theatre electrical engineering, Michael worked in the West
End of London on the lighting of major shows such as The Sound of Music and
then around the UK on tours of The Muppett
Show. This particular show led to his being invited
to New York to work on lighting
control systems and some
of the first animatronics for Jim Henson.
Returning to the UK to work
as a
production electrician he was head-hunted by the National
Theatre.
At the National, Michael
undertook the design of new dimmer systems
and control networks for the three main venues and other performance spaces and managed the complete rewiring
and installation works. This was done while keeping each of the main theatres
in use. He was also instrumental in reducing theatre
power consumption significantly, extending lamp life by changing operational procedures and in cutting
the external lighting load from 70 kW to 7 kW.
As an Associate
for Theatreplan Michael designed the stage and
working light control systems and dimmer engineering for the Copenhagen
Opera, Sydney Opera House and has advised
on other venues; he has also developed new control and distributed dimmer systems
for two upgraded MTV studios and carried out the ground-up
design of a further
studio for the same client.
Prior to
joining us in a full-time capacity, as Head of Lighting
Resources at the National Theatre, his work and focused on lighting facilities, controls, infrastructures, dimmers and
luminaires, long term capital budgeting and running the department responsible for the maintenance of
all lighting equipment and installed lighting systems.
He is
frequent contact with all the major suppliers and has organised dimmer and
luminaire comparison demonstrations as part of his ongoing testing regime. He
implements the Theatreplan policy of only specifying tried and tested
industrial equipment that is fully supported by established suppliers in
theatre systems.
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